“I am a woman of colour with a deep – almost unhealthy – love of popular culture. It is a love that is sorely tested in the face of such prejudice when I am told, loudly and with few qualms, that the stories of people who look like me just aren’t viable in a specific universe. It is often explicitly stated by my co-fans that I am not – ever – what they picture when they read these books or hear about these movies. The language may be coded: “She’s not how I imagined” or, in the case of interracial couple Sam and Mercedes on TV’s Glee, slightly more explicit: “They don’t look right together, like, they don’t … fit.” But the message is clear. We get to be supporting characters – the redshirts – or the villains. But heroes? Um, no. That would make things too … ethnic.”
—Bim Adewunmi, in a moving editorial for The Guardian (UK)
March 2012
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“For me, the writing life doesn’t just happen when I sit at the writing desk. It is a life lived with a centering principle, and mine is this: that I will pay close attention to this world I find myself in. ‘My heart keeps open house,’ was the way the poet Theodore Roethke put it in a poem. And rendering in language what one sees through the opened windows and doors of that house is a way of bearing witness to the mystery of what it is to be alive in this world.”
—–Julia Alvarez, quoted in 1998 in The Writer magazine, with the quotation republished in “Great Writing Tips from 125 Years of The Writer,” in the magazine’s April 2012 issue. (via ilovereadingandwriting)
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